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<td><p class="bigText">TK's Sleater-Kinney pages</p>↩
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: <a class="navbarText" href="http://tk-jk.net/S-K/index.html"> <span class="1home">Home</span></a> ↩
: <a class="navbarText" href="http://tk-jk.net/S-K/blog/general/Archive.html"> <span class="2archive">Archive</span></a> ↩
: <a class="navbarText" href="http://tk-jk.net/S-K/blog/general/Tabs.html"> <span class="3tabs">Tabs</span></a> ↩
: <a class="navbarText" href="http://tk-jk.net/S-K/blog/general/Drumtabs.html"> <span class="4drumtabs">Drum tabs</span></a> ↩
: <a class="navbarText" href="http://tk-jk.net/S-K/blog/general/SetLists.html"> <span class="5setlists">Set Lists</span></a> ↩
: <a class="navbarText" href="http://tk-jk.net/S-K/blog/general/About.html"> <span class="6about">About</span></a> :↩
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<p class="bigText"><strong>All Hands on the Bad One</strong> ↩
</p>↩
<p></p><p><strong>All Hands on the Bad One, <em>"All Hands on the Bad One"</em></strong></p>↩
<p dir="ltr">This, followed by <a href="http://tk-jk.net/S-K/Tabs/YouthDecay.html">Youth Decay</a> - wow - most bands would be happy just to have just one of these songs. S-K has a boatload.</p>↩
<p dir="ltr">Tabbing this was very frustrating. Riff 3 is a↩
masterpiece of guitar and vocal harmony, rhythm and guitar↩
interplay. It has a bass intro and stacks guitars and vocals on↩
top. This is the definition of Sleater-Kinney magic. You can't get↩
it all done on two guitars. You can get close. I↩
haven't done it justice.</p>↩
<p dir="ltr">As usual the guitar 2's rhythms are vital to the S-K sound. It's still good if you don't get it just right.</p>↩
<p dir="ltr">I sure hope I've done this well enough for you to figure out.</p>↩
<ul dir="ltr">↩
<li>↩
<div style="margin-right: 0px;">Quarter note = 153 or so.</div>↩
</li><li>↩
<div style="margin-right: 0px;">Standard tuning. But tuning down 3 half steps makes Riff 3 easier and more authentic.</div>↩
</li><li>↩
<div style="margin-right: 0px;">Tabbed where it felt good on the fretboard but there are alternatives.</div>↩
</li><li>↩
<div style="margin-right: 0px;">Tuning down is required for authenticity but it sounds great in standard tuning</div></li></ul><strong>↩
</strong><p dir="ltr"><strong><br>1:</strong></p>↩
<p></p><span><img alt="All Hands on the Bad One Riff 1" src="AllHandsontheBadOne_files/AHOTBO1.jpg" cd:pos="2" align="left" border="0" height="500" hspace="4" width="580"><br clear="all"></span>↩
<p><strong></strong> </p>↩
<p><strong>2:</strong></p><span><img alt="All Hands on the Bad One Riff 2" src="AllHandsontheBadOne_files/AHOTBO2.jpg" cd:pos="2" align="left" border="0" height="257" hspace="4" width="580"><br clear="all"></span>↩
<p><strong></strong> </p>↩
<p><strong>Riff 3 (3a and 3b) is a little masterpeice:</strong></p><span><img alt="All Hands on the Bad One Riff 3a" src="AllHandsontheBadOne_files/AHOTBO3a.jpg" cd:pos="2" align="left" border="0" height="446" hspace="4" width="580"><br clear="all"></span>↩
<p><span><img alt="All Hands on the Bad One Riff 3b" src="AllHandsontheBadOne_files/AHOTBO3b.jpg" cd:pos="2" align="left" border="0" height="179" hspace="4" width="580"><br clear="all"></span></p>↩
<p> </p>↩
<p>The Outro</p>↩
<p><span><img alt="All Hands on the Bad One Riff 4" src="AllHandsontheBadOne_files/AHOTBO4.jpg" cd:pos="2" align="left" border="0" height="216" hspace="4" width="580"><br clear="all"></span></p><p></p>↩
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The views expressed within this site pretty much represent those of the author.<br>↩
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